Sand Little Sand, Becky Edmunds, (still). Image courtesy of the artist.
Across the arts there are few opportunities for professional artists to undertake international research free from the immediate demands of presentation or publication. Although geo-political forces are strong, presenting challenges for a programme such as this, the primary aim is to offer selected artists dedicated periods of professional research and experimentation within different cultural and geographical contexts.
The programme is not open application. Artists are selected through a peer nomination process organised by a designated co-ordinator for each Fellowship. The Fellowship Co-ordinators are art-form specialists working for the Arts Council, other agencies or individual experts. Artists are nominated against key criteria including: the artistic excellence of the applicant's work; the benefit to the applicant at this time in his/her career; the applicant's anticipated use of the knowledge and experience gained upon return to England and their adaptability and potential to manage the challenges of extended artistic research away from their normal lives.
A short-list is then sent to the host organisation which makes the final decision.
A small number of fellowships are advertised in specialist arts journals, newspapers, websites etc. Current and future adverts will also be displayed in the News section of this website.
Fellowship Coordinators research potential hosts based on their existing knowledge, consultation with the British Council, websites, visits, direct contact with hosts and dialogue with artists and experts engaged with new and experimental practice abroad.
Using special guidance documents, each coordinator facilitates the fellowships within their art form, commencing with initial research into new hosts followed by selection of artists, grant processing, travel and visa arrangements and on-going pastoral support concluding with evaluation.
Selected artists are offered fellowships primarily for practice-based research, experimentation and the development of new work in relation to the artistic ethos of international hosts and the cultural contexts of the countries in which they are based.
The programme aims to:
As a direct result of the programme participating artists are achieving unexpected and high profile gains with new work being presented in England and internationally. Each artist and host completes a detailed evaluation form before, during and after the fellowship, providing vital intelligence about the evolution and artistic impact of the programme.
The artistic and career outcomes of the fellowships are revealed in the artists’ personal statements on this website. Not all of these statements are yet available.
“The invaluable opportunity for artistic development and concentrated research offered by this three month fellowship has made a dramatic difference to my personal and professional development, informing new opportunities and pathways.”
Craig Vear, composer, Antarctic Fellow
The Arts Council's International Policy published in 2005 sets as an ambition during the current and future funding period to ‘internationalise the arts’ and to embrace ‘international as a state of mind’. It commits us to the unique position of supporting the ‘artists right to roam’.
“Investing in artists and arts organisations to achieve excellent internationally recognised work and effective international networks”.
ACE International Policy
The Arts Council’s International Artists Fellowships Programme will continue in its current form until March 2008. This is a transition year for the programme and we are currently working on how the International Fellowships will become part of the Arts Council’s core business from 2008/09. Information about the legacy of the programme will be available on the website towards the end of 2007.
freefall: Arts Council England International Artists Fellowships 2001-2003 covers the experiences of 37 artists across the artforms who were awarded Fellowships between 2001 and 2003.
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